United UT FET47 Manual
United
Microphone
UT FET47
Read below 📖 the manual in Italian for United UT FET47 (9 pages) in the Microphone category. This guide has been helpful for 29 people and has been rated 4.5 stars on average by 2 users
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LARGE-DIAPHRAGM CONDENSER MICROPHONE
Owner’s Manual
Chapter 4:Waxing Philosophical
4.1 When to EQ?
UT FET47
Vintage FET Condensor Microphone3
Owner’s Manual
Version 1.0 as of 10/15/2019
Additional Support
Visit www.unitedstudiotech.com for additional
support.
UT FET47
Vintage FET Condensor Microphone2
Owner’s Manual
Version 1.0 as of 10/15/2019
Additional Support
Visit www.unitedstudiotech.com for additional
support.
THANK YOU!
Thank you for purchasing the United Studio Technologies UT FET47. We realize how many
microphone choices are out there, and we are honored that you have given us a chance. We
have done all that we can to exceed your expectations in a quality microphone, in terms of
craftsmanship, feel, appearance, and most importantly, sound. We make our microphones
not to be good for a price; but to simply be the best we can make them, and to be as good as
the best products available. We have scrutinized and labored over not just the major parts; but
every component from end to end, as well as the circuit design and mechanics. With proper
care, our products should last a lifetime of use and beyond.
CHAD KELLY
United Studio Technologies, LLC.
Baton Rouge, Louisiana USA
PRODUCT SERVICE
WARRANTY SERVICE
United warranties this product to
be free from defect in materials and
workmanship for one year from date
of purchase, for the original purchaser
to whom this equipment is registered.
This warranty is non-transferrable.
This warranty is void in the event of
damage incurred from unauthorized
service to this unit, or from electrical
or mechanical modication to this
unit. This warranty does not cover
damage resulting from abuse,
accidental damage, misuse, improper
electrical conditions such as mis-
wiring, incorrect voltage or frequency,
unstable power, disconnection from
earth ground (for products requiring a
3 pin, grounded power cable), or from
exposure to hostile environmental
conditions such as moisture, humidity,
smoke, re, sand and other debris,
and extreme temperatures.
United will, at it’s sole discretion,
repair or replace this product in a
timely manner. This limited warranty
extends only to products determined
to be defective and does not cover
incidental costs such as equipment
rental, loss of revenue, etc. Please visit
us at www.unitedstudiotech.com for
more information on your warranty, or
to request warranty service.
This warranty applies to products
sold in the United States of America.
For warranty information in any
other country, please refer to your
local distributor for United Studio
Technologies. This warranty provides
specic legal rights, which may vary
from state to state. Depending on the
state in which you live, you may have
rights in addition to those covered in
this statement. Please refer to your
state laws or see your local retailer for
more information.
If you have a defective unit that is
outside of our warranty period or
conditions; we are still here for you
and can get your unit working again
for a modest service fee. Please visit
us at www.unitedstudiotech.com to
contact us about setting up a repair
or for more information.
With the proper care, your United
gear should last a lifetime and provide
a lifetime of enjoyment. We believe
the best advertisement we can have
is a properly working unit being put
to great use. Let’s work together to
make it happen.
REGISTER YOUR PRODUCT
Before we begin, please take the time to visit
www.unitedstudiotech.com to register your product. To ensure
you receive proper and uninterrupted warranty support for your
product, please register your unit within 14 days from purchase.
UPDATES TO THIS MANUAL
Occasionally, we may have updates to this manual.
All current manuals can be downloaded at
www.unitedstudiotech.com. For your convienence, every page
of this manual displays the version number at the bottom of the
page.
SAFETY
Warning: To reduce the risk of electric shock, do not open the
device as there are no user-servicable parts inside. Refer servicing
to qualied personnel!
1. Read and keep these instructions; heed all warnings, and follow
all instructions.
2. Do not expose this device to rain and moisture.
3. Clean only with a dry cloth.
4. Servicing is required when the device has been damaged in any
way.
5. Always connect with a standard 3 pin XLR (male XLR to female
XLR) cable that is in good working order.
6. Always fully connect microphone cable on both ends before
engaging +48v Phantom Power.
7. Always disengage +48v Phantom Power and give the microphone
a few moments to fully discharge before disconnecting the
microphone cable.
8. DO NOT pass this microphone signal directly through a TT
(tiny telephone, tip-ring-sleeve) or TRS (¼ inch, tip-ring-sleeve)
patchbay! A preamp, of course, can be followed by a patch bay; just
not a microphone signal.
9. This microphone ships with a silica gel packet. Do not discard it;
this ensures that moisture/humidity does not accumulate on the
mic capsule diaphragm and that no part of the device begins to
oxidize. If the silica package becomes lost or discolored, replace it
with a new, good quality silica gel packet.
NON-WARRANTY SERVICE
UT FET47
Vintage FET Condensor Microphone5
Owner’s Manual
Version 1.0 as of 10/15/2019
Additional Support
Visit www.unitedstudiotech.com for additional
support.
UT FET47
Vintage FET Condensor Microphone4
Owner’s Manual
Version 1.0 as of 10/15/2019
Additional Support
Visit www.unitedstudiotech.com for additional
support.
Chapter 1: Now Let’s Get Started!
1.2 Hardware Controls
Chapter 1: Now Let’s Get Started!
1.1 Connections and Power
CHAPTER 1:
NOW LET’S GET STARTED!
1.1 CONNECTIONS AND POWER
1.3 PROPER SETUP
1.2 HARDWARE CONTROLS
The UT FET47 is a cardioid pattern, large di-
aphragm, transformer-balanced condenser
microphone designed for a very wide range
of recording studio applications. It’s opera-
tion is fairly straightforward; and as with any
microphone; the more attention given to
setup and placement, the better the results
will be. The UT FET47 features a high pass l-
ter for eliminating subsonic information such
as oor vibration and rumble, and a -10 pad
for use in very loud sound pressure situations
such as kick drum, ampliers, and especially
loud vocalists.
HOW TO KNOW IF YOU NEED THE PAD
ENGAGED?
It is good practice, unless you are certain you
will need it, to start without the pad engaged.
You will know you need the pad if the signal
is distorted, clipping, or ‘atlined’ even after
properly spacing the microphone from its
source. The pad will allow for an additional
10dB of headroom in the amplier circuit for
these situations.
WHEN TO ENGAGE THE HIGH PASS FILTER?
In studio recording, we feel it is usually good
practice to record an audio source at ‘full
bandwidth’ and to precisely tailor any band-
limiting in the modern workstation. This
provides much more accuracy than a single
switch on a microphone can provide; and the
switch at this point is more a carryover from
an earlier time. There are a number of sound
sources, however, where one can be fairly
sure that frequencies below the switch cutoff
frequency are not going to play a major part
in the makeup of the audio source, or at least
not in the nished (edited/processed) form
that the audio track will take. This includes
voice, guitar, drum overhead, and possibly
some acoustic instruments. This is particularly
The UT FET47 requires 2 things in order to
properly function: a 3 pin XLR cable, and 48V
phantom power.
The rst is simple; plug the XLR cable to the
output jack on the bottom of the UT FET47.
Then connect the cable to your recording de-
vice, preamp, or mixing console. Ensure that
the cable is properly working...
Sorry, we had to spell that out.
Engage 48V phantom power on your device.
If your device does not provide 48V phantom
power, an external, dedicated power supply
will be required for operation.
Fig. 1: e UT FET47 control section.
true of live voice broadcast (podcast, radio
broadcast) and narration (books on tape,
etc). Because low frequencies have very
large waveforms, a high pass lter on the
microphone can sometimes reduce the
chances of clipping or allow a slightly hotter
signal to be captured, without the damage
from moving microphone stands, doors, and
rumble from nearby trafc, etc.
As a general rule, if engaging the HPF caus-
es no audible loss to the ‘body’ of the source
signal; it is safe to engage. If it does feel that it
takes something away, and if the application
is professional recording, then best to not en-
gage the switch and tailor the signal at a later
point in the process.
WHEN TO USE A POP FILTER?
It is generally good advice to use a pop lter
any time you are recording a vocalist. You
should always get the best pop lter you can,
one that is as sonically neutral as possible.
Once you have found the proper distance for
spacing a vocalist from the microphone; the
pop lter can be set in place to properly main-
tain that spacing.
Because the UT FET47 is a cardioid-only mi-
crophone; setting up the microphone is as
easy as simply nding the right distance
from the sound source and ensuring that the
microphone is fairly on-axis (pointed at) the
sound source. As a general rule, starting about
12 inches from the source is a good starting
point. For particularly loud or soft vocals, you
may need to bring the microphone a bit more
out or a bit more in, respectively. For sounds
with particularly loud transients, such as the
beater of a kick drum, a starting position from
a bit further out is more advisable. Depend-
ing on the application, particularly when used
Product Specifications
| Brand: | United |
| Category: | Microphone |
| Model: | UT FET47 |
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